Axel Alonso Named Marvel Editor-in-Chief

Posted: January 7, 2011 in Uncategorized

n an unexpected change to start the new year, Marvel Comics today announced that longtime editor Axel Alonso has been promoted to the position of Editor-in-Chief, replacing Joe Quesada in the job. After an over ten-year run at the helm of the company’s publishing, Quesada will continue in his role as Chief Creative Officer for Marvel Entertainment.

A ten-year veteran of the company himself, Alonso got his start in comics at DC’s Vertigo imprint. Alonso recalled in a 2008 interview with CBR that “I worked as a journalist and magazine editor for years before I entered comics. One day, I saw an ad in the New York Times for DC Comics editors and thought it would be fun to interview. I never thought I’d actually be offered a job.”

At Vertigo, Alonso made the most of the mature readers imprint’s allowance for hard-hitting content, editing titles such as “Hellblazer,” “Preacher,” and “100 Bullets.” After being recruited to Marvel in 2000, he went on to champion such titles as Garth Ennis’ “The Punisher” run, the controversial and acclaimed “X-Statix,” J. Michael Straczynski’s “Amazing Spider-Man” and the relaunch of the “Moon Knight” character. In recent years, Alonso has overseen the X-Men line including crossovers such as “Messiah CompleX” and his recent brainchild “Curse of the Mutants.” The editor was promoted to the position of Executive Editor, VP of Editorial almost exactly one year ago, and for the past seven months he has been a constant fixture online and at conventions as one half of “Marvel T&A” with Tom Brevoort including their weekly column here on CBR.

Quesada’s tenure as E-i-C closes with an unquestionable level of success as he stepped into the role formerly held by the likes of Joe Simon, Stan Lee, Jim Shooter, Len Wein and current DC E-i-C Bob Harras when Marvel was in Chapter 11 bankruptcy. Over his decade as the publisher’s chief editor, Quesada helped revitalize Marvel’s line, expand their trade and graphic novel program and lead into the current phase of big event comics.

Last year after being given the additional job of CCO, Quesada told CBR “With my increased travel schedule over the last year plus, I’ve only been able to work with the publishing division in a more macro sense, or as you put it, a more, “big picture,” sense. During this time, Tom and Axel have been handling the more detailed functions of the stories within our comics. My role has been one in which I work on the larger stories and the overall flavor and feel of our books and universe.”

And then back in September on the occasion of Alonso’s 10th Anniversary with the House of Ideas, Quesada had this to say about his now successor for T&A: “When I first came to Marvel — when Jimmy Palmiotti and I put out those first Marvel Knights books — we were on top of the world and feeling like there was no one better at making comics than us. Well, except that there was this one guy, some dude at DC named Axel Alonso…

“…I hated him with a passion.

“Not just any hatred, but a hatred of burning, inexhaustible passion that knew no limits and had no bounds. Now mind you, I never even met the guy.

“So, why you ask? Why was I so obsessed, so infuriated with this Axel Alonso? Simple, he was putting out some of the best darn comics in the business. The kind of comics that I would have attempted to do if I had been at Vertigo. In short, the kind of comics that I loved reading. Oh, and I read them, I read them all, every damn Axel Alonso-edited comic, and with each turn of the page, with each captivating and compelling moment, my hatred grew. Oh, but it got worse. You see, Jimmy and I were aggressive recruiters, we went after the brightest and best creators and we got a lot of them. But, every once in a while we’d come across someone who had worked with this Alonso and I would always ask, what was he like? To the person the answer always came back the same, ‘He’s the best @#$#ing editor I have ever worked with.’

“There was no escaping it.

“On the day that Bill Jemas tapped me on the shoulder to become E-I-C of Marvel, we knew we had a lot of rebuilding to do. Yes, we had a few amazingly strong editors who would help us come back from the abyss, but not enough to get us over the hump, there was still a piece missing. Like a professional sports franchise in need of a lift, we talked about recruiting a star, my list started and ended with the man I hated most.

“When Axel and I finally did meet, we hit it off famously. We were kindred spirits. Our idea of what comics should be and where they needed to go were the same, he just used bigger words than me. He was smart…damn, I hated that too! It wasn’t long before he took the leap and joined us on our wild strange trip and thank goodness he did, we couldn’t have done it without him. He was that missing piece that we needed. From a strictly selfish point of view, there was something about the mix, something about Tom Brevoort and now Axel, the yin and yang, the devil and angel on my shoulders, that made for a magic combination and made me a better E-i-C in the process or at least made me look that way.

“Today, what can I say, I love the guy, and the truth of the matter is that he is one of the very best story editors who has every graced this industry just don’t ask me to ever admit it.”


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